|
THE LITERATURE OF THE VICTORIAN ERA
by Hugh Walker (1910)
2
...moral or intellectual stimulant must be followed sooner or later by a temporary
lowering of spiritual vitality. The example of a St. Francis of Assisi for a time lifts
his followers to a height altogether beyond the reach of the ordinary world; but literary
satire and the sober documents of history are at one in their testimony that in the
sixteenth century their successors had sunk below that world's level.
We see the same law at work in political history. The magnificent
panegyric which Thucydides puts into the mouth of Pericles stands in sharp contrast with
the laments of Demosthenes a century later for the want of those very qualities which the
great historian represents as the special endowment of his countrymen. Both conceptions of
the Athenian character are probably just: they are certainly the conceptions of the men
best qualified to discover the truth and to express it accurately. But if so, is it not
probable that the depression was largely due to reaction from the abnormal energy of the
earlier Athenians? A still more familiar instance is to be found in the history of
England. We know how deep and sincere were the moral earnestness and the religious
feeling of the Puritans; and we know likewise the price which was paid when the Restoration
relaxed the strain.
The same principle unquestionably holds in literature; and, as the
artistic is the most sensitive of all types of human character, it would not be
surprising to find the principle exemplified there more strikingly than anywhere
else. We cannot ascribe to accident the fact that in the literatures of Greece, of
Spain, of France, of England, the dominant forms have varied from age to age. Now the
drama prevails, now the lyric, now the novel; in this generation poetry, in that prose;
one century addresses itself mainly to the understanding, another to the imagination.
It is no mere coincidence that chivalric romance has so prevailed in Spain, the land of
the romantic conflict of Moor and Christian. There is more than bare chance in the fact
that the golden age of the drama, par excellence the literature of action, was
contemporaneous, alike in Athens and in England, with the period of highest political
and individual energy; or again in the fact
...
...moral or intellectual stimulant must be followed sooner or later by a temporary
lowering of spiritual vitality. The example of a St. Francis of Assisi for a time lifts
his followers to a height altogether beyond the reach of the ordinary world; but literary
satire and the sober documents of history are at one in their testimony that in the
sixteenth century their successors had sunk below that world's level.
|
|